#Andrew lloyd webber wizard of oz code#
Bookings Book online 136 100 Interested ATMC ATMC (ATMC CRICOS CODE : 03013D) students can log onto given link for bookings.Location Regent Theatre 191-197 Collins Street Melbourne VIC 3000.Don’t miss your chance to rediscover the real story of Oz in this fantastic musical treat, including songs like Follow the Yellow Brick Road, Over the Rainbow, Ding! Dong! The Witch is Dead, If I Only Had a Heart, We’re Off to See The Wizard and The Merry Old Land of Oz.Andrew Lloyd Webber’s London Palladium production of The Wizard of Oz is an enchanting revision of the all-time classic.
#Andrew lloyd webber wizard of oz tv#
Tickets: 020 3925 2998 wizardofozmusical. The Wizard of Oz Will a TV talent show-winning Dorothy and a real-life Toto be enough to save this soulless Andrew Lloyd Webber musical Patrick Kingsley Wed 12.48 EST 1 K ind. The leads give it their all, without you ever fully feeling the jeopardy of the situation. Elsewhere, although the interactions between Dorothy and a puppeteered Toto (there were real terriers in the last Palladium outing) don’t quite work, there’s plenty of appealing zest from Louis Gaunt, Ashley Banjo and Jason Manford as the Scarecrow, Tin Man and Lion. The most arresting feature is the Technicolor riot of video wizardry – or should that be Wii-zardry? You almost expect Mario to pop up amid the bonkers 3D landscapes, which include a green-saturated Big Apple-style Emerald City.Ĭhildren will love much of this – the digitised army of helmeted helpers for Dianne Pilkington’s snarling Wicked Witch are just the ticket, as is the vast pulsing motherboard via which Gary Wilmot’s Wizard exerts his boomy command. Listen to Andrew Lloyd Webbers New Production Of The Wizard Of Oz on Spotify. Not all of the invention works: played by adults, the Munchkins aren’t sufficiently endearing, while the Yellow Brick Road is a disjointed mess of arrow signs. Dorothy, The Yellow Brick Road, Wicked Witch of the West, Glinda, and all of the other beloved characters we know and love from The Wizard of Oz are coming. Stream songs including Overture, Nobody Understands Me and more. Andrew Lloyd Webbers The Wizard of Oz, London Palladium, review Danielle Hope offers a thoroughly competent rather than an inspired performance. In this, Foster spares no effort, almost over-compensating for the musical’s relative slightness. The Wizard of Oz (2011 London Palladium Recording) Andrew Lloyd Webber Released The Wizard of Oz (2011 London Palladium Recording) Tracklist 1 Overture (Wizard of Oz). Listen to Andrew Lloyd Webbers New Production of the Wizard of Oz by Andrew Lloyd Webber on Apple Music. But aside from a winning ballad (Already Home), they’re not especially memorable and don’t dig deep into all the emotional hinterland.Įffectively, the time-honoured appeal of L Frank Baum’s story carries the day, and what must keep us sated is the theatrical spectacle. Follow the yellow brick road over the rainbow and into the Pantages Theatre for Andrew Lloyd Webbers new production of The Wizard of Oz. The 2011 additions by Andrew Lloyd Webber and Tim Rice usefully bulk up an original score (by Harold Arlen and Yip Harburg) that ran out of puff halfway through. Nikolai Foster casts the vocally powerful actress Georgina Onuorah as the young heroine, and has her belting out Somewhere Over the Rainbow on a lonesome highway.
And there’s more to chew on in the flipped, pro-Wicked Witch perspective of Stephen Schwartz’s stage blockbuster. It can’t compete with the affection in which the 1939 MGM film is held (who can match Judy Garland as Dorothy?). The very latest chart stats about andrew lloyd webbers the wizard of oz - peak chart position, weeks on chart, week-by-week chart run, catalogue number. While I’m told that business is surprisingly good, when you consider that the top-price in the stalls is £165 (albeit cheaper seats, down to £10, are available), aren’t straitened families going to save their lucre for a hard-earned holiday? The other thought related to Wicked – and one reason why it’s arguably able to run year-round – is that as a stage-show The Wizard of Oz struggles to hold its own. If the best song in Wicked (the Wizard of Oz spin-off) is Defying Gravity, one involuntary thought when contemplating this summer-time outing for the originating classic is: aren’t its producers Defying Commercial Logic here?
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